May. 28th, 2005

butterfly: (Beloved -- Illyria)
The Buffy the Vampire Slayer series finale, Chosen, really resonated with me, right from the first viewing. But I was never able to find just the right words (words are, in the end, always inefficient -- they never encompass the deepness of what I feel).

Interestingly, the making of the Wesley vid is giving me some of the right words.

The reason that season seven resonates with me on an emotional level is because of the completion of a series-long theme -- deconstructing the demonization of female power. The Watchers have long been a symbol of patriarchy on the show ('this is how women and men have behaved, since the beginning'). The switch-and-bait aspect of the Slayer myth is an essential part of it all.

It's about the reduction of female power.

About taking female power and putting limits on it, putting it into the control of men (as we see in Restless, the First Slayer in chains). It's about making it sound dangerous and unnatural (side note: many people also disliked Family, an episode that deals with exactly the same issue of falsely claiming that female power was, in essence, demonic).

And we get to see that from the other side in Damage, where the Slayers are free from outside control (and, again, this is interpreted by many fans as a bad thing). This issue is also addressed in the direct demonization of Cordelia and Fred (again, on Angel, we see the issue from the viewpoint of male-directed characters instead of female).

In many ways, Wesley starts out as a parody of a Watcher but, in the end, he understands what a Watcher should be -- nothing at all like his father and nothing at all like a general. With Illyria, their relationship is one of equals, and he's not a Watcher but a Guide, giving Illyria a reason to care about humanity and about fighting the good fight.

I mentioned the other day that I feel a connection between Buffy and Wesley's arcs, not the least because they are the ones that illustrate to us (separately) that the ideal relationship is not that of a Slayer and her Watcher, but of a Guardian and a Guide. It's not about killing, but about protecting. It's not about instructing, but about sharing knowledge.

Other reasons include, but are not limited to, the Buffy/Spike=Wesley/Lilah line of thought and thoughts regarding the earlier comical aspects of each character (Movie!Buffy and BtVS!Wesley).
butterfly: (Buffy fan)
aka 'A Deconstruction of Society's Demonization of Women'


It's a theme that's more subtle in the earlier seasons, but they let us know right from the beginning that season seven is going to be more explicit. Buffy's explanation to Dawn in Lessons is a way of using the power that women are 'allowed' to have against people who seem to have more ('who has the power?'). Then, as the season goes on, she finds ways to reclaim the power that belongs to women by right, by being human and alive and strong.

In Chosen, Buffy faces down the First Evil, wearing her face, and realizes that it only has the power that she gives it. That by not believing her cause is hopeless, she gives it new hope. That by not allowing her face to represent evil, evil loses. In Season Seven, the metaphor takes center stage, but the premise and the thought behind it is most clearly laid out in Restless, the fourth season finale.
An feminist analysis of Buffy in 'Restless' )

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